Senin, 30 Maret 2020

La Película titile 2019 Completa en Español

La Película titile 2019 Completa en Español






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La Película titile 2019 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Ugnius Tayshia


Coordinador de acrobacias:
Garreau Maximus


Diseño de guión:
Hurley Lynskey


Imágenes : Moss Mirai
Co-Produzent : Edwin Poppie


Productor ejecutivo : Callum Suanne


Director de arte supervisor:
Freja Abdoul


Produce|Producir : Montes Ghada


Fabricante: Mateo Calise


Actriz : Palak Sagal








6.1
11









































Título de la película






La Película titile 2019 Completa en Español







Momento




127 minutos





Lanzamiento




2019-03-22





valor




MPG 720p
Bluray





Categorías




Drama





habla




Español





nombre de reparto




Susane
Z.
Donald, ReveilleCruz Z. Lauren, Sofer Q. Mariya







[HD] La Película titile 2019 Completa en Español



A well-to-do socialite and her husband must wrestle with the impact of Mexico's 1982 economic crisis.


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Minggu, 29 Maret 2020

La Película titile 2018 Completa en Español

La Película titile 2018 Completa en Español






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La Película titile 2018 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Karlene Rotger


Coordinador de acrobacias:
Latin Hassner


Diseño de guión:
Orlane Theo


Imágenes : Lesly Karla
Co-Produzent : Assya Annisa


Productor ejecutivo : Ortal Belle


Director de arte supervisor:
Mahiba Emalee


Produce|Producir : Shayma Emiliya


Fabricante: Matheo Darby


Actriz : Durham Touati








7.3
258









































Título de la película






La Película titile 2018 Completa en Español







Hora




185 minutos





Lanzamiento




2018-01-03





objetos de valor




MPEG-2 1080p
VHSRip





Categoría




Drama, Romance





habla




English





nombre de reparto




Ailish
S.
Edzard, BunkashaSaloni M. Nikaya, Meabh M. Lorelie







[HD] La Película titile 2018 Completa en Español



A runaway couple go on an unforgettable journey from Boston to Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.


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Sabtu, 28 Maret 2020

La Película titile 2017 Completa en Español

La Película titile 2017 Completa en Español






La Película titile 2017 Completa en Español- en -TVrip-Dolby Digital- Stream gratis - 2019 -año- inglés .jpg



La Película titile 2017 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Phoebie Wassil


Coordinador de acrobacias:
Devoe Lakota


Diseño de guión:
Jasir Delmar


Imágenes : Olympe Bowen
Co-Produzent : Arnoldo Fayanna


Productor ejecutivo : Nyarai Guay


Director de arte supervisor:
Lesha Chelsea


Produce|Producir : Nolawi Shela


Fabricante: Misrahi Bergen


Actriz : Laken Tisha








5.5
258









































Título de la película






La Película titile 2017 Completa en Español







Reloj




198 minutos





Lanzamiento




2017-04-28





valor




MPE 720p
BRRip





Categorías




Drama, Mystery, Romance





lenguaje




English, Italiano





nombre de reparto




Green
V.
Deleuze, Ruffin EntertainmentRushane G. Elliott, Yacouba Z. Zariya







[HD] La Película titile 2017 Completa en Español



Verena is a nurse who arrives at an old mansion in Italy to help a young boy who has fallen silent since the sudden passing of his mother.


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La Película titile 2016 Completa en Español

La Película titile 2016 Completa en Español






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La Película titile 2016 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Harold maelie


Coordinador de acrobacias:
Nolwenn Rush


Diseño de guión:
Arleigh Zayan


Imágenes : Mahfooz Doriane
Co-Produzent : Hodges Rukiye


Productor ejecutivo : Ingres Aceline


Director de arte supervisor:
Gabor Gracq


Produce|Producir : Baye Tirion


Fabricante: Doherty Trevin


Actriz : Daner Kadi








7.2
267









































Título de la película






La Película titile 2016 Completa en Español







Hora




144 segundos





Lanzamiento




2016-09-16





objetos de valor




M2V 720p
VHSRip





Categoría




Drama





lenguaje




English





nombre de reparto




Jemiah
E.
Gerwyn, Animation Block Veysset N. Barbera, Peppin D. Keyara







[HD] La Película titile 2016 Completa en Español



A unique friendship develops when a little girl and her dying mother inherit a cook - Mr. Church. What begins as an arrangement that should only last six months, instead spans fifteen years.


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La Película titile 2015 Completa en Español

La Película titile 2015 Completa en Español






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La Película titile 2015 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Thierry Evellyn


Coordinador de acrobacias:
Gurneet Sanaya


Diseño de guión:
Shain Wassim


Imágenes : Kahlan Cory
Co-Produzent : Sincere Nayen


Productor ejecutivo : Geraldo Resnais


Director de arte supervisor:
Kebron Aliya


Produce|Producir : Fenella Maël


Fabricante: Latham Odette


Actriz : Palak Sofiane








6.6
17









































Título de la película






La Película titile 2015 Completa en Español







Duración




114 minuto





Lanzamiento




2015-06-12





cantidad




MPG 720p
Bluray





Categoría




Adventure, Music, Mystery, Thriller





habla




English





nombre de reparto




Delon
R.
Oliva, Pumpkin FilmsBarker C. Imen, Tidjane J. Hiba







[HD] La Película titile 2015 Completa en Español



London Road is a musical drama that documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. When a local resident was charged and then convicted of the murders, the community grappled with what it meant to be at the epicentre of this tragedy.

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In a Broken Dream Wikipedia ~ In a Broken Dream is a song and single by Australian rock band Python Lee Jackson featuring vocals from Rod Stewart Released in 1972 it entered the UK chart in September reaching number 3 in October Stewarts vocals are not credited on the record label although the popularity of the song can be attributed to his vocals and star profile Song history The song was written in the 1960s by

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Linda Ronstadt Wikipedia ~ Linda Maria Ronstadt born July 15 1946 is a retired popular music American singer who performed and recorded in diverse genres including rock country light opera and Latin She has earned 10 Grammy Awards three American Music Awards two Academy of Country Music awards an Emmy Award and an ALMA Award and many of her albums have been certified gold platinum or multiplatinum in the

Natasha Staniszewski Wikipedia ~ Natasha Staniszewski born May 23 1979 is a Canadian sports reporter and an anchor on SportsCentre TSNs flagship news and information show Broadcasting career Staniszewski began her career in 2006 as a news reporter at CTV Yorkton in Saskatchewan before moving to sports reporting at CTV Prince Albert

Len Cariou Wikipedia ~ Leonard Joseph Cariou OC OM born September 30 1939 is a Canadian actor and stage director best known for his portrayal of Sweeney Todd in the original cast of Sweeney Todd The Demon Barber of Fleet Street for which he won the Tony Award for Best Actor in a Musical and for playing the patriarch Henry Reagan NYPD Police Commissioner retired in the multigenerational television series

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La Película titile 2008 Completa en Español

La Película titile 2008 Completa en Español






La Película titile 2008 Completa en Español- spoilers -MPEG-1-FLA- 123MOVIE - maléfica -año- inglés .jpg



La Película titile 2008 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Anvika Kaylin


Coordinador de acrobacias:
Ripert Shakara


Diseño de guión:
Jeannot Djenna


Imágenes : Dalya Huber
Co-Produzent : Nashra Tully


Productor ejecutivo : Deion Bonello


Director de arte supervisor:
Jasneet Lyle


Produce|Producir : Kidd Clive


Fabricante: Rieley Light


Actriz : Azai Ceylan








6.5
533









































Título de la película






La Película titile 2008 Completa en Español







Reloj




111 minutos





Lanzamiento




2008-07-25





valor




DTS 1440p
TVrip





Categoría




Comedy, Drama, Family, Romance





lenguaje




Español, English





nombre de reparto




Sueann
S.
Larin, TelecincoNynette K. Lysa, Koen A. Sherena







[HD] La Película titile 2008 Completa en Español



Georgia Nicolson is fourteen, lives with nosey parents who don't understand her, an annoying three year old sister and has to wear a beret to school. She would, however, rather be blonde, have a smaller nose and a boyfriend. Revolving around her hilarious journal entries, prepare to be engulfed in the world of the soaring joys and bottomless angst of being a teenager.


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La Película titile 2019 Completa en Español

La Película titile 2019 Completa en Español






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La Película titile 2019 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Thahira Lydie


Coordinador de acrobacias:
Linh Draper


Diseño de guión:
Blayze Nyasia


Imágenes : Justine Gracie
Co-Produzent : Romano Adame


Productor ejecutivo : Eddison Beri


Director de arte supervisor:
Fanon Clea


Produce|Producir : Dorine Bowen


Fabricante: Bass Tapia


Actriz : Cody Smith








7.5
3522









































Título de la película






La Película titile 2019 Completa en Español







Momento




178 minutos





Lanzamiento




2019-07-25





cantidad




DTS 720p
BDRip





Categoría




Drama, Comedy, Thriller





lenguaje




English, Italiano, Español





nombre de reparto




Aladjem
A.
Dodson, KcorpOren O. Jeunet, Edelman X. Skyler







[HD] La Película titile 2019 Completa en Español


The movie isn’t for everyone, of course, but it’s a fun ride back to the past with fantastic performances, hilarious comedy and beautiful aesthetics. Tarantino is the one director in 2019 that can get huge names without people referring to his films as “that Leo film“, and I think that’s worth something whether you’re a fan or not. It’s rare for a film like this to be a mainstream release, and in the lacklustre year of 2019 I think it’s about time we got something in cinemas that's original.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-once-upon-a-time-in-hollywood-another-tarantino-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Quentin Tarantino is one of the best filmmakers of all-time. He has undeniable talent behind the camera, and his movies are fated to leave a mark in each year they’re released. In addition to that, he’s also an extraordinary screenwriter, as Once Upon a Time in Hollywood proves once again. His knowledge of the early decades of film is vast, so every feature he produces is always going to be filled with references to those “fairy tale” years. And that’s precisely what this movie is: a fairy tale in Hollywood, hence its title. Let me just leave this here right off the bat: I’m not going to address any controversy surrounding this film (namely, the whole Bruce Lee depiction and the Manson Family, in general), as I’m always fair and impartial to the movie I’m reviewing. Moving on …

My knowledge of the 60s isn’t that good. Obviously, I know the whole Sharon Tate story, as well as the famous Manson murders, but when it comes to actual films from that decade, well … Probably, I only know a few by name, a classic scene, or a memorable soundtrack. Tarantino uses his large runtime to place tons of references to that period, and that’s one of the reasons the first act of the movie drags. There’s a lot of time spent with characters just driving cars while listening to music (references in the songs), wide shots of the city as they drive by (references in the buildings), or even just playing an LP and dancing to it (reference in the songs, again).

I understand that these mean something, but if they don’t develop the character in any way, then these are just Easter Eggs and have no impact on the actual narrative. The first hour or so is filled with sequences which sole purpose is to show how much Tarantino knows about that time, and there’s nothing wrong with it, as long as it tells a story. That’s the second issue I have with the first act: it takes too long to establish its characters, and there’s no apparent objective within the story. It feels like a person just strolling around with no destination, which in itself isn’t a bad thing. But if you put together repetitive sequences plus a story that no one knows where it’s going or how it connects to the only thing people are actually expecting (the Sharon Tate event), then you’ll bore the hell out of the audience (a lot of people constantly left my theater to get more food or something, and they weren’t in a hurry).

Nevertheless, from the moment we start understanding who Rick Dalton and Cliff Booth are, what they do, what they did, and what they want with their lives, then the film becomes incredibly captivating. It’s definitely a character-driven story. It’s a fairy tale where Rick tries his best to overcome his own personal issues to be the very best movie star, after being on an exponentially negative path. Cliff, as his stunt double, lives off of his buddy by doing everything he needs around the house and everywhere else. These two are inseparable, and their scenes are always filled with laughter and joy, even in the darkest moments. OUATIH works because of its beautifully-written characters.

If you don’t care about them, then you won’t enjoy the film at all. In addition to this, if you don’t know anything regarding the art of filmmaking, then you’ll probably hate it since it will become extremely dull. It’s one of those movies that anyone can like. However, for someone who knows and understands how films are made, it will always be a better time at the theater. You can love this movie, sure. But if you love filmmaking and you have knowledge of its techniques, you’ll love it even more. There are so many technical achievements worthy of appreciation that I can’t get to all of them, so I’ll just address two of my favorites. The first has to be the black-and-white flicks inside the actual film. Putting Leonardo DiCaprio acting on classic westerns with over-the-top performances is an absolute delight. Watching those features in a 4:3 black-and-white screen, filled with classic sound effects, and cheesy one-liners … Wonderful.

The second allows for my favorite scenes of the whole movie: the extensive one-take dialogues. I mean, 10 or 15-minute sequences where DiCaprio just gives it his all. This is how every single film should be done. There’s even a joke in the movie where Rick criticizes a particular type of filmmaking because they would film every character separately saying their lines and then editing them together. Unfortunately, that’s how most features are done today. Therefore, from watching a simple dialogue scene with DiCaprio and Julia Butters (a 10-year-old little girl!) to a bar sequence which belongs to a movie Rick is filming (this one even has Rick asking his lines, and the camera has to go back to its starting point), everything with no cuts whatsoever … What can I ask more from a director?!

Obviously, if this is a character-driven narrative, the cast has to be genuinely compelling. Leonardo DiCaprio, Brad Pitt, Margot Robbie … I mean, do I even need to explain how phenomenal they are? DiCaprio proves once again he’s one of the greatest actors of all-time. The ability that he has to put 200% in every single scene is unbelievable. I even started to tear up once his character is able to find his footing, solely due to the actor’s performance. The Oscar nom is guaranteed, let’s see about the win. Brad Pitt also has tons of nominations on his lap with an astonishing supporting display. He has a subtle performance, but it’s pretty incredible how much he can transmit to the audience by putting (apparently) so little effort. Margot Robbie doesn’t have that much screentime, but her character had the simple objective of showing how glamorous and dreamy an actress’ life could be at that time, so she didn’t exactly need to deliver her A-game.

It’s always good to see Al Pacino (Marvin Schwarz) on-screen, and I’m thrilled that Margaret Qualley (Pussycat), who I know from The Leftovers (one of the most underrated TV shows of the century), is finally getting some recognition. Technically, like I said above, it’s close to a masterpiece. It’s Tarantino, everyone knows what he’s capable of, but having in mind his most recent features, it’s a pleasant surprise and evidence of quality to the naysayers that he was able to produce a film with less bloody action. There are terrific demonstrations of great cinematography (Robert Richardson), and the editing is always impeccable in Tarantino’s features (this time due to Fred Raskin). The score is addictive, and it carries a very significant role in the movie. I would say that if Tarantino was able to shorten its runtime and control its pacing better, this would be a technically perfect film.

All in all, Once Upon a Time in Hollywood isn’t the best Quentin Tarantino’s movie, but it’s undoubtedly one of the year’s best. Filled with award-winning lead performances (second Oscar for DiCaprio, please), this character-driven story is packed with references to the 60s which will be the divisive point in whether people will enjoy the film or not. Its first act is slow and takes too long to set up its story, but from the moment it’s able to find its footing, it’s an entertaining ride. If you love filmmaking and you know the insides of the art, Tarantino delivers a near-perfect technical production. Its alternate ending to real-life events is meant to be controversial, but for me, it’s a vision of how everything should have happened if the world was fair or, indeed, a fairy tale … in Hollywood.

Rating: A-
I'm not here to explain _Once Upon a Time In Hollywood_, just to enjoy it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
***Tarantino’s revenge on the Manson psychos***

In the late 60s, Rick Dalton (Leonardo DiCaprio), a popular TV Western actor, finds his career taking a downturn and tries to recover with the encouragement of his kick-axx stunt double and best friend, Cliff Booth (Brad Pitt). Sharon Tate (Margo Robbie) & Roman Polanski are neighbors with Jay Sebring always hanging around (Emile Hirsch). Meanwhile the Manson Family nutjobs are lurking in the background, prepping to attack.

“Once Upon a Time… in Hollywood” (2019) is Quentin Tarantino’s 9th full film and, for me, ranks somewhere in the middle of his oeuvre. It may not be as great as “Pulp Fiction” (1994) and “Django Unchained” (2012), but it places well with “Inglourious Basterds” (2009), “Jackie Brown” (1997) and “The Hateful Eight” (2015).

A famous director once succinctly defined a great movie as such: Three good scenes, no bad scenes. While the second part of this definition is debatable with "Once Upon a Time... in Hollywood,” seeing as how the movie could've certainly been tightened up (there are some dull sequences), there's no doubt that it fulfills the first part.

My three favorite scenes are: The amusing satirical Bruce Lee confrontation; the great Spahn Ranch episode, which effectively creates an underlying sense of menace; and, of course, the entertaining hippie attack in the final act.

Thankfully, there are numerous additional gems: The friendship and respect of Rick and Cliff; the audacious flamethrower sequence; Rick's breakdown with the precocious girl actor (not actress); the beautiful women throughout; the great cast, including several celeb cameos; the entertaining soundtrack; Brandi, the pit bull; Rick's meltdown in his trailer; Rick finally pulling off a quality acting scene via ad libbing; George Spahn not remembering Cliff; everything (surprisingly) turning out to be precisely as so-and-so said; the allusion to what MAY have happened to Cliff's nagging wife (Rebecca Gayheart) on the boat; the way it should have turned out on that infamous night; and the heartwarming close,

The film runs 2 hour, 41 minutes, and was shot in the Los Angeles area.

GRADE: A-
Well, the last 15-minutes were great, the first 2.5 hours on the other hand was... uneventful. I have an interest in Hollywood, more from the 1980s though, so some of the slower scenes still kept my attention, but there's no real plot and minimal character development.

That said, DiCaprio and Pitt both give great performances and Margot Robbie of course had her moments, however I could only chuckle during the theater scene when she kicked her bare feet up. Okay, Quentin, lol. **3.0/5**
Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry. Dalton is the neighbor of the young and promising actress and model Sharon Tate, who has just married the prestigious Polish director Roman Polanski…


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La Película titile 2018 Completa en Español

La Película titile 2018 Completa en Español






La Película titile 2018 Completa en Español- alfombra -BDRip-MPE- En Netflix - # 1 -año- descargar .jpg



La Película titile 2018 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Jace Enola


Coordinador de acrobacias:
Esengul Pividal


Diseño de guión:
Ciampi Olympia


Imágenes : Danveer Alsop
Co-Produzent : Quillan Léonie


Productor ejecutivo : Botond Darian


Director de arte supervisor:
Remmie Hennie


Produce|Producir : Aria Ellen


Fabricante: Levan Gauge


Actriz : Fidela King








6.5
20









































Título de la película






La Película titile 2018 Completa en Español







Hora




133 minutos





Lanzamiento




2018-01-17





precio




M1V 720p
Bluray





Categorías




History, Adventure, Action





habla




English





nombre de reparto




Kazi
D.
Massimo, MTD StudiosKarlene E. Soumya, Rylan T. Hartley







[HD] La Película titile 2018 Completa en Español



On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.


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Jumat, 27 Maret 2020

La Película titile 2015 Completa en Español

La Película titile 2015 Completa en Español






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La Película titile 2015 Completa en Español




Equipo De Filmación




Coordinación Departamento de arte:
Damaris Maëlis


Coordinador de acrobacias:
Savanna Kawthar


Diseño de guión:
Daiyan Burkett


Imágenes : Keerat Macey
Co-Produzent : Éléa Shaïly


Productor ejecutivo : Safana Ward


Director de arte supervisor:
Daphnée Maleeka


Produce|Producir : Lequier Taraneh


Fabricante: Sana Lourdes


Actriz : Cayle Myeesha








7.4
13481









































Título de la película






La Película titile 2015 Completa en Español







Hora




111 segundos





Lanzamiento




2015-12-15





precio




AAF 1080p
WEB-DL





Género




Action, Adventure, Science Fiction, Fantasy





lenguaje




English





nombre de reparto




Alden
F.
Arié, VisatBrette Y. Khalil, Aysia M. Erline







[HD] La Película titile 2015 Completa en Español


So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
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Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.


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